Sweet Agatha, Again
Stacey Mason
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Greg Costikyan reviews his narrative improv game Sweet Agatha for Play This Thing! , noting nuances of the mechanics in relation to their predecessors from the game world. Allen draws parallels to the similarities to classic role-playing games through “The Truth” player and “The Reader” player’s speech and roles in narrative building. He also offers interesting insight on the game’s tone:
One of its strengths, and most interesting aspects, is its tone of elegiac melancholy -- not uncommon in noir fiction (and noir is one direction in which you could take the story), but exceedingly rare in a game of any kind.